35 Authors 35 Winners!

Enter the Raffle below to stand a chance to win Gift Packs, GCs, Signed Books, Swag, etc.

I am also one of the 35 authors, so you’ll stand a chance to win one of my ebooks if you enter.

Here’s the link: https://www.rafflecopter.com/rafl/display/ec8aae6726/

The Raffle ends on the 24th of February!

My Books!

You’ll be able to choose the one you’d like most to read 🙂

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The New Year feels Old


It’s strange that as a woman of color in today’s world, I’m not allowed to be angry, passionate and truthful about what’s happening around me without being labeled ‘an angry black woman’. Whether it’s on politics on a global scale or what’s happening in the romance writing industry—her writing groups and organizations, to her publishers and leaders.

Like so many people I watched Oprah’s speech and as it built momentum, as she gave a history lesson while inspiring, while firing up, while being unapologetically a black woman…I wondered,  is that what’s required of all women of color around the world, in their industries? Do we all have to be an Oprah? While our counterparts are what? Becky with the good hair? Who, with not even half my qualifications and a single woman, still gets a bank loan to buy a house in an area my parents had to pool both their incomes to be able to buy in?  (Btw if you have to look up what ‘Becky with the good hair’ means, than you know nothing of black womanhood.)

Yes I went there. In South Africa, like so many other countries human capital favors the colonizer not the colonized. But I digress.

Then after Oprah’s speech, Ivanka Trump happened. My kneejerk reaction was a laugh of derision, like Chrissy Teigen I found her tweet disgusting. I was also ready to say “go away”, you’re not part of the movement, the conversation, so don’t insinuate yourself here.

But was her behavior surprising to me? No. I’ve seen it and experienced it too many times through the Ivanka Trumps of the world to be surprised. What is surprising however is that the Ivanka Trumps don’t even know they are Ivanka Trumps? Call it being blind to privilege—the privilege of being able to express yourself without being labeled—or centuries of systems built to validate, either way it’s glaringly obvious that in 2018 we are still far from eroding this level of ignorance and reasoning.

Last year The Ripped Bodice bookstore did a study on how many romance books were written by nonwhite authors. The study gained attention from numerous news outlets even the New York Times. But no one in my local (SA) writing groups/organizations mentioned it. Of course the study was done in the US, but since the racial issues and tensions in the US parallel so much of what happened and is happening in SA, I find the lack of attention and discussion interesting.

Like the New York Times article’s title stated, “[I’m] in love with Romance Novels, but not their lack of diversity.” I read them and I buy them by the truck load.

Don’t get me wrong, this is not a bashing post. Definitely not written as a ‘Storming of the Bastille’. Though since I’ve entered the publishing world, I have taken note of ‘the royals’ of industry no one’s allowed to speak against. And no I’m not going into specifics this is not an exposé, I actually want a writing career *wink*

The New Year feels old.

At thirty-three (in February I turn thirty-four), I’m fed-up with old issues becoming ‘new’ resolutions. Call it what you want, but 2018 isn’t going to be much different than 2017. I even heard Seth Meyers repeat a joke British actor Hugh Laurie made at the 2017 Golden Globes in his victory speech. And yep, much of Meyers opening at the Golden Globes wasn’t fresh either…seriously, they could’ve asked Trevor Noah to do it. At least his perspective would’ve been fresh and his jokes not a repeat of what someone with a more posh accent said.

And therein lies the problem, the Golden Globes (like so many other award shows, institutions and corporations) unapologetically, like the rest of the ‘royals of industry’, flaunts who they are, what they believe and stand for, in our faces. It’s an indication of how ingrained and insidious everything is. Am I a bit jaded? Yes. I’m excited for what I have planned for this year. But unlike years before, I’m not looking at the industry with wide-eyed-wonder. I’m not assuming the playing field is level for me in South Africa or abroad, because it’s not. I’m not going to look for fairness because this industry (publishing) doesn’t operate that way. None of them seem to.

And no, I’m not okay with things.

“I wished I believed you when you told me this is my home….” ~ Lorde, Hard Feelings.


A look back at 2017

My first ‘look back’ on my blog! How haven’t I done this before? Okay let’s not answer that question. Let’s rather read my ‘look back’ *smile*


Africa Online Book Fair Facebook Cover 2 (2)(1)

The biggest thing for me was the Africa Online Book Fair. It was such a labor of love and great way to create a platform for African romance authors. It was definitely a highlight of 2017 for me.



The Wolf's Choice_500x750

The other highlight was the release of my first paranormal romance. Not only did I move out of the contemporary lane but I also wrote a story set within a shared world. It taught me a lot as an author.


My first radio interview! On SAfm their Sunday Literature show with Nancy Richards. A fellow author Leenna Naidoo set it up and I got to talk about the Africa Online Book Fair as well as my own writing. It was nerve-wrecking but also exciting!

I also made some important decisions in regards to what writing groups and organizations I wanted to support and how they are developing me as an author. I do believe that as an author you have to audit the groups you joined. If after a couple of years there you haven’t experienced significant growth or any support in terms of skill development, you should look at other alternatives. 2017 was definitely a year of evaluating networks, promotion styles and author relationships.

Writing-wise, I completed the first draft of a novella the second half of 2017. Then decided to do a rewrite. I wrote extensively about it here and on my Facebook page about it. It was the first time I grappled with whether I liked the direction of a story after I’d completed the manuscript. *ouch*

I also tried my hand at fan-fiction. There’s an upcoming post about that, so I won’t elaborate here. Please do read it and tell me what you think about fan-fiction.

All and all 2017 was packed with a lot!





On Novel: My Writing Process with JC Layne

On Novel: My Writing Process


Author JC Layne


Image_1 JC article photo

You know that quote from a poem by Robert Burns that says, “The best laid plans of mice and men often go awry?” For me, this quote says it all!

The following diagram explains my writing process:

JC High Level Writing Process

Usually, the story comes first and then the characters develop as I write. The story may begin as a passing thought or idea and then it grows; i.e. I knew a production studio could be a wonderful setting for character interaction. Don’t be surprised if some characters take on a bigger role than planned!

I start with a high level outline of the story line, jotting down ideas like major scenes, ideas or events that I want to happen in the story. I don’t use any specific structure when I write, I’ve found that everything flows better if the story organically develops. I’m very left-brained about things and if I have a strict outline, I feel like I have to force the story into that box. The result SUCKS!

My characters guide my story to where they want it to go. None of my books have ended up like I expected. Initially, I fought where the characters were taking me when writing Perfect Timing, but ultimately, they won out. That book and Missing a Beat turned out much darker than I intended. Parts were difficult to write, but I think the stories ended up better than my original ideas!

I like readers to know characters’ quirks, humor, their habits, etc. Most start with a blank slate, but for certain characters, I may have a strong idea of what they will look like. For instance, Mitch in my Back on Track series looks like a particular musician that I love.

I keep a list of all characters and their details. Physical attributes like hair color, eye color, height, etc. Then, other attributes like nervous habits, laugh, facial expressions. Finally, anything I’ve mentioned like parents’ names, birth dates, ages. I learned the hard way that not keeping track as I go causes a lot of wasted time to find details.

People ask if there are specific places or times when I write or if I have rituals or quirks. I write when the creative juices are flowing, whether that’s at lunch on my day job or in the evenings. Some days, I couldn’t write a sentence if I had to. I just walk away, rather than get frustrated. When I write, I do talk to my characters…and yes, they talk back. So, either I’m not very stable, or my characters are pains in the ass!

Advice for new writers:

  • Don’t force anything, let your imagination work.
  • If you’re blocked, walk away, then come back to it. Again, don’t force it.
  • Just get it down on paper! Don’t leave it in your head. Getting something down is better than forgetting the idea. It doesn’t have to be good…it just has to be captured.
  • Pay the money to have your work edited. Not just read through, but edited. You’ve put your heart and soul into it…let it be correct. Books that have typos and grammar issues detract from the story. There are some reasonably priced editors out there. (If you need an editor, please shoot me an email and I’ll give you my editor’s info.)
  • Find a great cover artist! Covers are the first things the reader sees. (If you need a cover artist, shoot me an email and I’ll give you the info for mine.)


I am an indie author. I haven’t ventured into the world of publishing companies, sadly because I’ve heard so many horror stories. Perhaps one day I’ll give that a try, but right now, I’ll stay self-published. Whatever you choose, be true to yourself. This is your baby…don’t forget that.


Feel free to message me on Facebook or email me if you have questions. Good luck on your future venture! Kick ass!!!


Image_1 JC

Author Bio:

J.C. Layne is a relatively new author with three books under her belt so far. A bit of an author conundrum, she has a very left-brained degree from the University of South Carolina and spends her days swimming around in numbers. But, her right brain demands to be heard…and now it is! For 12 years, J.C. has interviewed bands and written articles and CD reviews for various music publications. Her love and knowledge of music combined with her love of books led her to write fiction about hot rock stars and falling in love.


Image_1 Face in the Crowd Cover

Buy links:






Social media handles:





*Thank you Jennifer, I really enjoyed reading your article. There are real diamonds for any author, aspiring or published.

On Novel: My Writing Process with Elaine Dodge

I love reading about another author’s writing process. Not only does it make me feel sane (because sometimes there are some weird things I do while writing) but I also gain useful tips that help in how I approach some of my writing projects. On Novel: My Writing Process is a writing tips series I’m going to be running throughout August, September and October with guest posts from authors sharing their experience. If you’re a novice the series will definitely benefit you. So without further introduction, here’s the first guest post from Elaine Dodge.


Elaine Dodge 2



On Novel: My Writing Process

Author Elaine Dodge


Rabbit trails. I would have to say rabbit trails – if I was asked where I find my ideas. Inspiration is everywhere. Pay curious attention, do good research and everything can lead to a great story idea. That’s not to say though that the research you do today will have any bearing on the story you’re currently writing. But, file it away, make a brief note on it and let it brew.

When asked about my actual writing process, I tend to laugh as I don’t really think about it. But having been asked to think about it here, I realised I write short stories and novels in completely different ways.

I’m currently part of a short story challenge. Perhaps it’s the fact I’m a content creator by profession, where word counts are essential and not up for debate, that I love the constraints of the challenge. Others rail against the prompt, the word count and the deadline. I have no idea why. Where’s the challenge if there are no constraints?

I approach these tales the same way as I do my ‘Running the Bathwater Stories’. These are a series of short stories which I write under one strict, self-imposed rule. After turning on the taps, I must sit down at the laptop, with no story idea in my head, and start writing immediately. I must complete a tale by the time the bath is ready. My bath does admittedly run rather slowly. It takes about fifteen to twenty minutes to reach an acceptable depth. I can edit, but not change the actual story, any time after that.

When I write for the short story challenge I basically do the same thing. Although, to be honest, in this case, I don’t start writing till I have the idea. But that idea, based on the prompt, is usually as simple as ‘blinding sunshine’. The prompt in that case being, ‘Coming Undone’. Then, I sit down and start writing. I seem to instinctively write short stories in the first person. I’m working on that.

The only tale in this short story challenge I didn’t do that with was one entitled ‘A White Lie’. As it was based on Scott’s expedition to the South Pole, I wanted to make sure I had all my facts right first. It was fascinating.

Novels, however, are a different herd of elephants, although I often approach the first chapter in a similar way. A thought, the spark of inspiration and then the ‘let’s see where this leads’ and off I go. Occasionally, these can begin as Running the Bathwater Stories, but if I like the ideas that start to flow once the writing begins, I may find I have a whole novel sprouting in my head. Or at least the possibility of one. So, I keep going. When I’ve finished the first, or in some cases the first three chapters, and I’m convinced this may be something worth pursuing, I stop and go back to the beginning.
I write a list of all the characters I’ve thought of so far, doing character sheets for all the important ones.
I open an Excel spreadsheet and begin to plot the book. I try to figure out the ending as soon as I can. I didn’t do that with my second novel, ‘The Device Hunter’, and it threw me off kilter for about a year. I had to rewrite the entire second half of the book. So now, I have a hard and fast rule; Know thy ending first.
Then I begin the research. I end up with thick files full of facts, useful in ways I may not have originally intended.
Once I have enough to work with though, I carry on writing the book, doing whatever extra research is needed along the way.

For both short stories and novels, I try to apply other rules to myself:
Every word counts. Only use as many as necessary. No fluffing around.
Stop using so many commas. A failing of mine.
The last line must be memorable and leave people thirsty.
The first line must be a goodie, hook the reader in. Can it carry more weight, show location and character? Can it hint at theme? Can it give a taste of the ending of the whole book without giving the ending away? Can you use the first two lines as a double whammy?

The first lines of that ‘Coming Undone’ short story…

He seriously missed mirrors. And occasionally, Carly Simon.




I was born in Zambia and went on a round the world cruise with my family when I was four years’ old. We moved to Zimbabwe where I grew up and set on my own round the world adventure a few years after I left art college. I’ve been in South Africa for the last thirteen years and although I’ve travelled haven’t managed to get more than two countries in at one time.

At college, I trained as a designer and after a few years segued into advertising. When I came ‘down south’, I moved into television production. I had always wanted to ‘make movies’, but that didn’t seem to be a door that would open for me. Writing TV proposals for international broadcasters however, did open a door. One I hadn’t realised I’d been camping outside of all my life – writing fiction.

I decided I needed to devote myself to writing. In order to do that I am now a freelance website creator and copywriter. The theory being that working from home, and for myself, will allow me to plan my days so that I have more time to write my books.




Amazon page: https://www.amazon.com/Elaine-Dodge/e/B00H2EK45S/

Website: www.elainedodge.weebly.com

Running the Bathwater Stories: http://elainedodge.weebly.com/runningthebathwaterstories

Short Story Challenge: http://elainedodge.weebly.com/12-short-stories-in-12-months


Three Act Structure: Saving my plot



I’m hard at work editing my second paranormal romance. I’m also on my second developmental edit. Why? Because I realized something fundamental while rewriting certain scenes and deleting overused words. My plot felt iffy, because my sub-plot felt iffy.

*smile* Yeah I know, I’m being as clear as mud right now.

I had a plot worked out that revolved around the hero and heroine—good. But the inciting incident that draws the two together, though believable since I’d taken it straight from current news headlines, seemed to the drag the romance in a direction I didn’t want it to go. For a novella with a maximum word count of 30K, the subject matter was too big and distracted from the romance. In fact, the growing romance between the couple seemed trivial in comparison. Why are you two making goofy eyes at each other when Rome is burning down? (Side note: the novella is not set in Rome 🙂 )

And I wanted them to make goofy eyes at each other. That’s the whole point of a romance book. In order to get myself back on track I went back to the fundamental Three Act Structure of a story. Not only should my story follow this structure but my scenes should too. I needed this refresher again to ground my romantic plot.

At its most basic, a Three Act Structure is simply:

Act I: Beginning

Act II: Middle

Act III: End

So let’s break it down more.

Act I:

The set up. First show your main character’s day to day life (this is necessary to measure the change they undergo through their journey). The inciting incident: the event that sets off a course of action, the reason why your main character goes on a journey.

The point of no return: they are committed to their goal and can’t turn back.

Act II:

The middle: here your main character tries to try to achieve their goals. Here, they can also either achieve it or find a new one.

They can even pursue their goal through the whole second act and face obstacle after obstacle. By the end of act II something should happen to make us think they will never reach their goal. All must seem lost.

Act III:

The resolution. What does your character learn, prove or discover? This is where we begin thinking about themes and what we are really trying to say.


This is just a simple, basic break down of the Three Act Structure. It kept me focused on my main plot and helped me to make the right decision for the romance in the story. The story flows now and each scene moves at a good pace.

Hope this helps you too!


Writing Sizzle (When you’re used to Sweet)

*This was an article I wrote as a guest post on another blog, but thought I’d share it here again 🙂

Falling For Mr. Unexpected-highres

As with all things in life, trying something new does bring its own set of challenges. And going from writing sweet contemporary romance to more spicy paranormal romance wasn’t the exception.

I remember at one point I did a post on my Facebook Author Page on the research I’d done on ‘how to approach writing a love scene’. Don’t worry I won’t do a recount here *smile*

But what is the challenge of writing sizzling instead of sweet? Romance is romance after all. There can’t be much difference between the two. And right there, I would lose my reader. Because a sweet romance reader is looking for something different than a reader who prefers a more sizzling read. As an author with a deep respect for readers (because I’m a reader myself) I sat back and dug deep to understand the complexity of the challenges I’m going to face as I tell the story.

The Wolf’s Choice is my first foray into romance that sizzles. It also forms part of a bigger world, The Black Hills Wolves, created by Heather Long and Rebecca Royce for Decadent Publishing. So I had to keep the requirements of the series in mind and stay true to what the creators had in mind of for it. And since the inspiration for the novella started off in my imagination with these two innocent teens meeting at the local Swimming Hole, I knew that I’m going to have a problem if I kept to my ‘old’ style of sweet romance writing (even though the scene when read on its own is sweet).

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I think it’s good to note at this point that I don’t just read sweet romance. The romance books I buy range in heat levels, but I usually gravitate towards the stories that contain a happy medium. And that’s the crux for an author who’s going from a ‘clean’ read to a much hotter one. The first challenge you’ll face is to ask yourself, where’s my comfort level with the hotness-factor? Once you’ve established this, you’ll know whether you’ll be able to write a romance that sizzles or have to completely abandon that writing path.

The second challenge, I found, has to do with language, what words to use? Do you want to be graphic? What do your favorite authors use when they tackle a love scene? And most importantly, what type of language is used by the authors contracted for the series/line you want to write for? If the language is an issue for you, then don’t. To force is a crime *smile* and no one likes to be forced to do anything. I’ve read authors who use the words dick, pussy, etc. in such a jarring way that I stopped reading the story. To me, they are out of sync with their characters. If your heroine has never throughout the book even thought of sex or referred to her body parts in her mind or in the dialogue in erotic terms, then goodness why are you now suddenly having her using those terms? The language becomes jarring.

That’s something I had to study in The Wolf’s Choice. A woman with sexual experience wouldn’t necessarily be coy about sex. Though we all know it’s not that cut and dried, characters, like people are complex. (And this you’ll find out about my heroine Rebecca, when you read the story). But there are certain universal things we all accept and don’t about characters in novels.

So language is a definite challenge when writing a sizzling romance.

Don’t lose the plot. No seriously, don’t. Essentially you’re telling the story of two people falling in love and the obstacles that keep them from doing that. As a romance writer that’s your first priority. Don’t get bogged down by how hot your book’s supposed to be. Or by what page number your characters should have, at least, kissed. Or made love.  And don’t write love scenes as fillers.

Some publishers might compromise story because sex is the subject of that imprint. But you have to keep in mind that at the heart of every romance is the emotional bond between the hero and heroine. The emotional bond adds layers to theDance-of-Love300x450 sizzle and the sizzle in your story should advance the plot.

The important thing to acknowledge is that you’ll face challenges as you go along, but to not allow them to keep you from telling your story.


*What challenges have you faced writing a love scene?


The ‘Why’ behind the Africa Online Book Fair: Romance Authors & Books

Africa Online Book Fair Facebook Cover 2 (2)(1)

It’s an understatement to say I am excited! The online book fair is a first for me and I am are ready to start.

But before I get into giving you the details of the where and the when, I’d like to explain the point behind #AfricaOnBookFair.

I grew up in Apartheid South Africa, mostly at the end tail of the Struggle. In 1994 when we had our first democratic election I was still in primary school. Buying books, much less writing books weren’t something that was encouraged for any person of color. Yet authors of color prevailed.

They wrote books about the history of the country, books about their daily struggle. Wonderful Drum Magazine writers wrote some of the most memorable short stories that opened up worlds for me when I studied them in high school and university. Poetry like To Whom It May Concern by Sipho Sepamla still touches many around the world. But…yes there’s a but, I didn’t come across prolific romance stories set in my country and the rest of Africa, that didn’t have tinges of colonialism or was written for a specific audience that didn’t include readers outside of it.

The stories weren’t inherently diverse. Stereotypical roles for people of color littered these romantic texts and even till this day when I go to my local library and bookstores I have to hunt for romances written that’s multicultural or even interracial, romance that showcases the beauty and scope of the landscape as well as the people of this continent, and also the authors that come from it.

Romance authors in Africa don’t just write contemporary/historical novels in bush settings or urban settings, they write steamy reads about fairies and werewolves too. Local heroes and heroines making a life abroad. Nail biting suspense and mystery romance novels. Science fiction and fantasy. Young adult and new adult stories. They even interpret characters from different genders, races, cultural backgrounds and religions.

And I asked myself, where can you find these books and authors with so much diversity among them? Where is a place you can walk into and have a good fun old time getting book deals and meeting your next favorite author? You guess right. A book fair.

But because Africa is a really…really big continent, how do you get all of these terrific romance authors and their stories together in one spot for readers to discover them?

Thank God for the invention of the military programme that became the internet! Online is the easiest way to find things you’re searching for. Whether it’s the definition of a word (so guilty of that) or buying a pair of shoes, online shopping, buying and selling, and researching are things we consider common. Even in Africa.

Everyone owns a device they can use to access the internet.

And that’s how the #AfricaOnBookFair was created. It stemmed from this need to say, “If you’re looking for romance stories set in Africa or want to find out who your next favorite African author in every romance genre out there is, here they are. Online. Easy to access. You don’t have to pay to get in. You don’t have to stand in a queue. You don’t have to feel hot and sweaty. Or cold and tired. You sit in your home or wherever you might find yourself and check out what’s on offer.” Money you would’ve spent on gas, food and tickets to get in can go into buying extra books! As a bookworm, that makes me extremely happy.

And I know every little bookworm heart is giving a fist pump *laughs*

The Africa Online Book Fair aims to bring African romance authors and readers together. In a nutshell it is as simple as that. And I really hope you’ll come meet every single one of them.

Event date: Friday 2nd to Sunday 4th June 2017.

Starts: 10:00 am ( Cape Town time)

Ends: 22:00 pm (Cape Town time)


So without further adieu, here they are:

Aziza Eden Walker

Bailey Quinn

Elaine Dodge

Inge Saunders

Jayne Bauling

Joanne Macgregor

Kathy Bosman

Leenna Naidoo

Marie Dry

Nana Prah

Sherita Singh

Theresa Beharrie

TM Clark

Link to the Event Page:  https://www.facebook.com/events/372063406523550/

Twitter: @AfricaOnBookFr

Instagram: @africaonlinebookfair

The Dreaded Synopsis


For the last two years or so, I’ve come to embrace the synopsis. And though embrace is a strong word, since you won’t find me just jumping into one, I have realized the importance of one if I ever want to be considered by a big publishing house.

So instead of listing all my struggles with writing them, I decided to write how I became comfortable with writing synopses.

I’ve read a lot of articles on the topic and watched a few online teachings. I’m not good with textbooks because it makes me feel like I’m back at varsity and my “Am I going to get graded on this?” mentality isn’t so easy to shake off, even years later.

But the light-bulb didn’t come on until I realized that 1) there’s a specific publisher I like to write for and they require a synopsis. Without one I’m toast at the door. They won’t even consider me no matter how intriguing the pitch, hook or first three chapters. My submission won’t make it past the threshold. So to not put myself at a disadvantage, I knew I had to master the synopsis.

2) I came across a Harlequin editor who gave advice on synopsis writing. A side note: whenever an editor from a respected publisher give advice on writing, take note.

She hit all the points I’ve read so far. But what stood out for me from her advice was how simple she made synopsis writing seem. At the end of her advice she said, synopsis writing is you drawing a map. The map contains all the high points, the beginning and ending. You have a good idea of where the highs and lows are going to be. And writing the story are filled with all the meaty parts in-between, like the ditch the car falls into after a deer crossed the road. You write about all the angst and fear that came along with the experience. A minor setback, but the end destination still needs to be reached.

I started writing my synopsis like this. A road map. And that’s how I still view a synopsis, especially one that’s aimed at an editor.


So besides these things, here are a few points I focus on when I sit down to write a short synopsis:

  1. First thing check the length the publisher wants. This can range from 1-2 pages to 5 pages. Reading the guidelines will save you a lot of time.
  2. Format: Double-spaced, 1 inch margins, Times New Roman font and Header over every page (check with the publisher if they require a specific style of Headers).
  3. Start bold. The same attention you spend on the opening line of your book put the same effort into the opening line of you synopsis. Grab the editor’s attention first before you summarize the book.
  4. Stay focused. In a short synopsis for 1-2 pages there aren’t space for extraneous details. Don’t include secondary plots or characters, unless they play a part in understanding the resolution. Don’t use multiple points of view (POVs) even if they are present in the novel.
  5. Determine your romance’s focus ahead of time. You should determine your target publisher’s preferences ahead of time and use it to guide your effort. A publisher like Harlequin wants romance, so get to that quickly and end on the romantic resolution.
  6. Write in present tense. This is something I didn’t know at the beginning. It is so simple and makes so much sense. Because the present tense creates a sense of urgency. This makes it effective.
  7. Show, don’t tell. Yes, even in a synopsis. Show the story through a good plot. Don’t describe it.
  8. Don’t resort to empty questions. “Will they fall in love?” This is an editorial pet peeve. You’re going to have to answer the question, so you’re wasting space. These types of sentences also yank the editor out of the story. They are views as “author intrusive”. You are not letting the story speak for itself, you are speaking for it.
  9. Many editors make it a rule not to read after the third typo. So be thorough!


Sweat the opening three paragraphs. Most editors conduct a “three paragraph” test.  If you don’t grab their attention by then, they simply won’t read on. A strong opening line and a quick tight overview of the hero/heroine and conflict.

These tips I learned from romantic suspense author Lisa Gardner. I look at them every time I sit down to write a short synopsis as a refresher. And even as I type this post, I learned something new.

Learning this skill isn’t a once off thing. You’ll have to practice it and practice some more. It’s not for the fainthearted and it’s not for the lazy writers. It’s not for the ones who are ‘stuck in their writing ways’, the ones who skip publishers because they want to avoid a synopsis. Because it’s a hurdle they can’t exercise enough to jump over.

Hard work do pay off. And I do believe getting the synopsis is one step closer to publication.


Author Spotlight Wk 1 – Inge Saunders

Last week I was featured on Tracee Garner’ s blog sharing my writing process as a Hybrid author 🙂

Tracee Lydia Garner

1Hi Everyone, 

This week starts an 11 Week Blog Spotlight on the Writing Process. Each week, I’ll feature a fellow writer of varying genres to talk about HOW they write.

Join the discussion by leaving a comment and enjoy each veteran author or new, emerging voice!

First up, Multicultural, New-Adult, Romance Author –

Inge Saunders 

Since I embarked on the romance writing road in 2012 I’ve read so many different takes on authors writing process. From James Scott Bell who starts from the middle of his novel, he believes in writing from the ‘midpoint’ or ‘the point of commitment’ or as others calls it, ‘raising the stakes’. To begin there he states brings illumination over the whole writing project. Then there’s Harlequin author Tawny Weber who, though loves plotting, is not a detailed plotter. She needs three things to start a story: A premise, a good grasp on the characters…

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