Blog Tour: The Wolf’s Choice

Today is the start of the blog tour for The Wolf’s Choice! And the first stop is a review stop by Splashes Into Books. If you haven’t got a copy of the book yet, read what they had to say about it 🙂

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Here are all the tour dates:

http://splashesintobooks.wordpress.com and on FB page – bookshook 4/18/17
http://2bibliophiles.blogspot.com 4/20/17
Http://wickedlyinnocentpromotions.blogspot.com 4/21/17
http://www.facebook.com/lexcade & lexcade.blogspot.com 4/21/17
http://bookedandloaded.com/ 4/22/17
http://thereadingspotblog.blogspot.com/ 4/23/17
http://evermorebooks.weebly.com/blog 4/24/17
 https://fransbooklove.wordpress.com/ 4/29/17
http://writtenlovereviews.blogspot.com 5/1/17
http://www.carolkittie.com https://www.facebook.com/CarolKittieReviews/ 5/2/17
https://readourthoughtsbookblog.wordpress.com/ 5/3/17
http://angelsguiltypleasures.com 5/4/17
http://musingsfromanaddictedreader.wordpress.com/ 5/5/17
https://www.facebook.com/Thosecrazybookchicks 5/6/17
http://thecaffeinateddivareads.multifacetedmama.com/ 5/7/17
http://denagarson.net 5/8/17
http://louisesbookbuzz.blogspot.com/ 5/9/17
http://eskimoprincess.blogspot.com/ 5/10/17
https://www.facebook.com/LittleShopofReaders/ 5/11/17
http://mireillechester.blogspot.ca 5/11/17
http://dogsmomvisits.blogspot.com/ 5/12/17

 

Here’s Why I Like Paranormal Romances

I’m the generation that grew up on Buffy the Vampire Slayer and Charmed.  And I still own DVDs of both series, plus the Charmed books. The latter I bought a couple of years ago.

Since I can remember I’ve had a fascination with the supernatural. When I discovered Anne Rice in high school I was hooked to vampires in print. With Twilight and the Vampire Dairies paranormal romances experienced resurgence, especially amongst teens. And also in my reading world.

I’d been deep in a chicklit vortex by then. Loving romance sprinkled with humor and life and really relatable fantastic heroines. I hadn’t realized at the time that these ‘dark creatures’ of the paranormal world, would signal the end of my obsession with chicklit. But they had. And I’m not sorry *grin*

Paranormal romances like their TV shows and movies offers worlds where diversity is celebrated. Where being different is the norm.  There isn’t an expected blue print, in terms of the main characters racial or cultural background. Werewolves can come from any continent. They will still have a connection/something in common with shape-shifting wolves around the world. And that’s what, I realized, kept drawing me back to the paranormal genre.

It’s one of the things I like about paranormal romances.

Another thing I like about them is this, the badass characters male and female who in spite of living on the fringes of society, still thrive, still make their mark on the world. As a person of color, coming from SA with its history of Apartheid, I can relate to these shape-shifters. Even in romance, paranormal romances are not the ‘star’ genre. It’s not considered literary genius, even though it tests the reader’s ideas of ‘normal’ and acceptance.

I not only feel comfortable writing these types of stories, I celebrate them. I read them. I buy them.

So if you were wondering, why after two contemporary romance novels, I’ve written a paranormal romance about werewolves, these are some of my reasons. Though the biggest one has to be, I simply enjoy them. And I hope that when you pick up your copy of The Wolf’s Choice, you’ll be able to experience how much I loved writing this paranormal romance.

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Preorder Buy Link:

The Wolf’s Choice (Black Hills Wolves Book 64): Amazon:Kindle Store https://t.co/gipdx4OYiZ

#preorder #PNR #romance @DecadentPub

Sold!

 

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Sold! The Wolf’s Choice!

What every author loves to hear when it comes to their stories, “we are offering you a contract.”

I’m officially part of the Black Hills Wolves pack! Okay fine, not the Tao Pack, but certainly part of the Author Pack who makes this wonderful shape-shifter series howl with awesome characters.

Yep, I’m a werewolf nut. If Stephanie Meyer hadn’t written Edward Cullen so gorgeous, I would’ve been Team Jacob. Just saying.

So here’s a sneak peak at the not-yet-edited blurb. I hope you love it!

*And to all the readers who love my contemporary romances, I am working on another flirty romance but in the meantime, enjoy Rebecca and Blaine.

 

Blurb:

“I’ll pledge my loyalty to you through a blood oath, if you support my choice of mate.”

Drew sat back in his chair. “What does Rebecca have to say? The last time I spoke to her, she didn’t mention you.”

Blaine smiled. He hadn’t earned himself any favors. “She doesn’t know yet.”                         

 

Thirteen years ago Rebecca Ferguson died, at least to everyone in the Black Hills territory. With a human mother and unable to shift into a wolf, Magnum Toa, the deranged Alpha of the Toa Pack would’ve had both her and her father killed for deceiving him. Magnum didn’t allow humans to mate with members of his pack.

Now Magnum is the one who’s dead and Rebecca can return.

But coming back from the dead, building a new life after her divorce and opening a library in town isn’t the only obstacles Rebecca faces. Elijah, her father, doesn’t approve of her being in Los Lobos to the point where he forbids her to get involved with the pack, especially the males.

Their relationship has suffered because of her absence and she hopes to bridge the divide; confident that she doesn’t want a romantic entanglement with anyone human or wolf, anyway.

In walks sexy private detective Blaine Walker.

Thirteen years ago Blaine stumbled on his mate at the local Swimming Hole. The next day, she was dead. Once he learns Rebecca is alive and living in Los Lobos, he decides it’s time to give up his career in Brooklyn and return to Black Hills. But he knows it won’t be easy to claim her since Elijah’s unnaturally overprotective. The only way Elijah will back off is to challenge him.

A challenge that will end in one of their deaths.

The Toa Pack’s rebuilding itself and needs to guard against any threats outside or in. For Blaine to have any chance to claim Rebecca Elijah needs to be dealt with and to deal with Elijah, Drew, the Alpha of the Toa Pack, has to sanction the challenge according to pack law.

Rebecca can’t deny the old attraction she felt for Blaine is still there and even stronger now that they are grownup. She’s caught between the man fate has brought back to her and her father, whose affection she craved her whole life.

But there’s a secret governing Elijah’s erratic behavior that can cost Rebecca everything she’s worked hard to build and everything she thought she could never have with a man or wolf.

Will Rebecca and Blaine beat the odds stacked against them?

Or will the choices they make ultimately lead them down a path both of them don’t want?

 

 

The Power of the Sub-Plot

I wrote the novella The Wolf’s Choice at the end of last year and my main character Rebecca Ferguson (celeb lookalike Natalie Emanuel aka interpreter chick in Game of Thrones *smile*) has some issues with her parents, though more so with her father since he’s the one who’s still alive out of the two.

 

Celebrity lookalike for Rebecca

And I have to say I loved writing the dynamic between the two. Their struggle are the sub-plot in the story and ties in well with the romantic plot. And that’s what today’s post is about, sub-plots and why I love them *smile*

 
Growing up reading Barbara Cartland I can appreciate a good romance plot that focuses solely on the romance between the heroine and hero, but because I also read Afrikaans novels I fell in love with the strength a sub-plot provides a story. I liked how it showed that the main character formed part of a bigger world, rather than this microscopic isolated glimpse into their lives. Because who lives like that?

 
Of course every romance writer knows that you shouldn’t distract from the main characters and their story, but boy does it add a meatiness to them when you throw in a dash of family slash friends slash boss slash life issues *grin*

 
One Afrikaans novel I grew up reading showcased the heroine’s relationship with her family very strongly and those stories always made me go back to them. I loved the view I got from reliable sources (family members, friends & colleagues), as opposed to only the character.

 

Twilight DVDsThis ‘sells’ the character more to me and also makes the story less superficial. I think this was the biggest problem I had with Twilight (even though I love the series and have seen all the movies #TwiHard for life! *peace sign*), Bella tells us how mature she is. She tells us how she takes care of her mother. She tells us how helpful and responsible she is around the house. She tells us how scatterbrained her mother is. She basically tells us how she views herself…and in first person no less *smiles* And as she was telling me all of this, I didn’t believe her *shrug* She’s fallen for a hundred year old vampire who wants to drain her of her blood. Seriously, how responsible and smart can you be if you disregard a basic thing all humans had‒self-preservation.
I can say these things because I’m a fan of the series and Stephanie Meyer, I’m not dissing the book because I think it’s okay to talk down about the things teenage girls/women love, inadvertently telling them that their voices, ideas and choices doesn’t matter.

 
*takes deep breath*

 
Back to sub-plot *smile* I would’ve believed Bella more if those observations actually came from her parents or another relative. Because I didn’t see how doing house chores made you more mature than your parents, because than since age…goodness I can’t even remember, my siblings and I should’ve been considered mature. My mother would then tell you, ‘no they were not.’

 
As a romance writer we have a sense of who and what we want our characters to be, what issues we want them to deal with. I was told by someone in a romance writing group the romance plot was fairly straightforward. And they’re right. You’re writing a love story; the struggle to go from like to love is the plot. There’s no trick. Though what gives it substance is delving into the characters psyche and lives, and that’s where your sub-plot should shine.

 

This struggle will make the overall conflict of the story so much richer. I’m thinking of my current release Dance of Love (http://amzn.to/1AaLcDS) where Ashley has to fight her inner fear of failing, of not being a good a world-class ballet dancer as her father was. This heightened the tension in the book, these were human fears any person would have, not just someone in a romantic plot. This wasn’t only about a fear of getting your heart broken because you’ve been burned by past relationships (though there’s nothing wrong with that), this was something achingly universal. We’ve all felt that need to prove ourselves to our families and ourselves.

 

The story’s secondary characters created hues to her life in Rome. It showed that she could exist apart from the hero; if he’s not on the page she still had a life. It didn’t start and end with him. And yes, as a modern female living in the twenty-first century that’s a powerful message in romance to convey between the lines.

 
In a novella this is difficult to achieve because you only have so many words to write a sub-plot in and in The Wolf’s Choice I lucked out because Rebecca’s romance relied on her overcoming her issues with her father. In fact he’s the antagonist of the story. He stands in the way of her happily ever after.

 
I believe sub-plot works best when it does this, when it ties in neatly with the main struggle of the story. What do you think? And do you also enjoy sub-plots in love stories?